The news from Norway has defied words. Senseless, mindless, pointless; it is cruel, irrational evil. And supposedly in the name of Christ. Sickening.
I always resist to tweet or post about every event or topical twist and turn. I’m just not that kind of blogger, I guess.
But as been I’ve away from London doing prep for some talks coming up, I’ve been listening again to various things. Including a live album of Karel Kryl – I don’t understand 90% of the words – but I nevertheless love his humanity, humour and reality. And it seemed appropriate somehow to repost this from May 2010. This is the total antithesis of the so-called Christian motivation of the deranged Norwegian murderer.
Yesterday, I left Hungary having had a great time at the ELF in Eger. So encouraging – and quite apart from the excitements of seeing folk on our network again and being involved in teaching, I was able to have some very encouraging conversations with folks from Austria, Greece, Macedonia and Bulgaria in particular. Things are really developing fast in some of those places for our work.
But am now in the Czech Republic for a few days, to do a weekend for the International Church of Prague. Had a couple of hours this morning to wander around with Simon, one of my hosts. So good to be back here. Prague is one of my favourite places on earth. Simon has been here for 18 months or so and had not yet had the chance to visit the Museum of Communism and so off we went this morning. It’s quite small – essentially a converted flat in the centre of town – but as well as tracing the history of the country during the 20th century, it manages to convey something of the atmosphere of fear and oppression. Unusually, one is allowed to take photos, so I took a few.
In one room was a looped video narrating the story of communism and in particular the protests against it. Both of us were blown away by a song that accompanied footage of police beating up peaceful protesters in Wenceslas Square in 1989 (during the months leading up to the regime’s fall). When we got home, Simon discovered that it was written by one Karel Kryl, who had lived in exile for much of the time, but wrote string of folk songs about his homeland. Very sadly, he died only a few years after the Velvet Revolution.
The song is simply called THANKS – and is full of profoundly Christian imagery – and speaks of the extraordinary ability of people standing up for truth and justice to endure suffering and even to find redemption through it.
Karel Kryl – Thanks
Lyrics – translation taken from this fan site
God created, created a branch
So as I could make wreaths
Thanks, Thanks for the pain
That teaches me to question
Thanks, Thanks for the failure
That teaches me to work harder
So that I could bring a gift
Despite my weakness
Thanks, thanks, thanks Thanks
Thanks for the weakness
That teaches me to be humble
To be humble with joy
To be humble without any bondage
Thanks, Thanks for tears
That teach me to be sensitive
To be sensitive for those who suffer
Who suffer and cry out for mercy
Thanks, thanks, thanks
Thanks for the desire for beauty
That gives me something to long for
Thanks for the fact
That love combats spite
For the sweetness
Sweetness of falling asleep
Thanks for the feeling of tiredness
For blazing of fire
For rushing of rivers
Thanks for the thirst
That was revealed by my weakness
Thanks for the torment
That inspires good deeds.
For the fact
That I love
Although my heart is constricted by anxiety
Lamb, Thank you
You did not die in vain.
Thanks, thanks, thanks
Very powerful – not least because of the images juxtaposed with it in the museum.
Still, I couldn’t help wondering, as we left the museum, what would have happened had the Cold War ended very differently? What if it had been the West that collapsed? What would a Museum of Capitalism then have looked like?
While I definitely prefer to live in a democratic and capitalist society (no surprises there), and think there are certain aspects of it that are clearly better than communism, it is by no stretch of the imagination perfect – not least because it is equally constructed on the flimsy, flawed foundations of modernity. I fear there would easily be enough material to prove capitalist complicity in iniquity…