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Despite the relative freedom that singleness brought him, John Stott would never have achieved everything he achieved in his 90-year life were it not for
There is an emotional complexity to this wonderful painting by Swiss artist Eugène Burnand. I know very little about him, apart from the usual resort of Wikipedia. But he manages to capture a moment of almost frantic inquisitiveness, as Peter and his young, fellow-disciple John rush in the golden sunrise light to the burial garden. Their faces seem filled with anxiety, confusion, hope, wonder, and longing all at once. Hoping against hope, but fearing a con, or something worse? Could Mary Magdalene, first to visit the tomb, possibly have been right…?
It’s a standard question for writers (or indeed any type of artist), so E. M. Forster would often be asked who or what had influenced
Sacred Treasure Only just discovered the Visual Commentary on Scripture this week – WOW! Something that only the internet can make possible! Lots to explore
Regulars will know that John Stott is a frequent focus here. I’ve just finished reading Alister Chapman’s excellent, scholarly engagement with John Stott’s legacy: Godly Ambition.
Jeepers – it’s been a whole year since I last did a Q Combo – need to get back into the habit. But this is