Giving voice to the whistleblower: Le Carré on cracking form in A Delicate Truth

There's a key moment when the oleaginous Foreign Office chameleon, Giles Oakley, goads his protegé and A Delicate Truth's protagonist, Toby Bell, about what he should do with his qualms about government policy in the run up to Iraq War.

You’re exactly what the Guardian needs: another lost voice bleating in the wilderness. If you don’t agree with government policy, don’t hang around trying to change it. Jump ship. Write the great novel you’re always dreaming about. (p51)

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Friday Fun 41: Mitchell & Webb debunking conspiracy theories

Some readers will know that my current obsessions are conspiracies and suspicions. One of these days, these may coalesce into something substantial. But that feels a long way off at the moment. Ho hum. But for now, if you want some brilliant ripostes to those who suck up every conspiracy theory going, then my suggestions are twofold:

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Q Conversations 2: the living legend that is Frances Whitehead

You may not have heard of Frances Whitehead - but if you have read any of John Stott's books, you will have witnessed her extraordinary handiwork: transforming his handwritten scrawl into immaculate typescript ready for the publishers. For more than 50 years, she worked very closely with him and her perspective on his life and work is unique and valuable. So it was a total joy for me to spend the best part of a day with her at home in Bourne End, on the Thames, to the west of London, during which our conversation ranged over all kinds of things.

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Telling a story when words don’t get through

I believe in words. I believe in the importance of words. In fact, I would go so far as to say that I believe in the primacy of words. But words can never be exclusive media of truth, understanding and communication. Please note: they are the primary (i.e. supreme) means, not the only means. I've touched on this issue before. Words are still essential. As I mentioned then, the great science fiction writer Isaac Asimov attacked the myth of the image by saying:

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Forging a future out of a pandemic of tragedy: Rhidian Brook’s The Aftermath

The months immediately after the close of the Second World War were confusing. One minute the Allies had been dropping bombs on Germany (as Col Lewis Morgan, the protagonist in Rhidian Brook's The Aftermath, points out, more bombs fell on Hamburg in one weekend than fell on the London in the entire war), the next they were dropping lifeline supplies in the Berlin Airlift of '48-'49. The disorientation this must have brought for ordinary Germans is articulated by some so-called ferals (kids living in the ruins of the city):

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